Action Jackson


Oh man! I sure love those macho action films from the eighties! The master of this kind of film is of course Arnold Schwarzenegger. One of his best followers is Carl Weathers, the star of this film. In this kind of film, the plot ain’t important. Here, Jericho Jackson, sergeant for Detroit police, is after a rich auto executive. Of course, he has a sexy girl with him to whom he can talk about his investigation. There are also lots of cool bad guys. What’s great about these films is the machismo; in a film like that, a guy can run faster than a car, he can break a windshield with his fist, and he doesn’t care about pain. And, of course, if he’s in a showdown with his nemesis, he’ll drop his gun and fight that punk mano a mano!

Now, let’s talk about this movie in particular. The direction is very good and the action is fast. The music is excellent: I love 80s pop music ! The theme song is especially powerful. The cast is also brilliant for the genre: Weathers, Bill Duke, that Chinese guy, that big black guy, that Italian fella… The action scenes are very cool. But the best thing about this film is the main character : ACTION JACKSON! He’s almost as cool as John Shaft! He talks fast and he kicks ass, big time! I laugh every time someone says his name. One of the best example of this is when he meets the girl.
“What’s your name?”
“Jericho.”
“That sounds like a priest’s name… you have a nickname?”
“Yeah… People call me ACTION JACKSON!”

If you like testosterone, don’t miss this film!

À Bout de Souffle


Michel Poiccard’s not a regular guy. He’s French, but he wish he was American. He likes the American way of life, at least the one he sees at the movies. The big cars, the money, the cool look, the careless attitude… With his hat and sunglasses, Michel’s almost unstoppable. Basically, he’s no gangster. He goes from place to place, robbing cars, meeting people, banging girls… One day, he’s back in Paris. A friend of him owes him some cash, but he can’t get a hold of the guy. And the police is after him since he killed a cop who had stopped him on the road. Even worse than all that, Michel is actually… in love. A little American girl named Patricia caught his heart. Their relationship is weird, like Poiccard’s whole life.

And so is the film. There isn’t a real story. We just catch a slice of life of the characters. They wander around, they get together… The screenplay from François Truffaut is far from usual. We spend a lot of time with the couple, not to make the story go forward but just to get to know them. There’s a very long sequence in their bedroom that leads nowhere but is still absolutely fascinating. The dialogue is just so brilliant. Patricia and Michel talk about nothing and everything, exchanging their views on life. Jean-Luc Godard’s direction is really interesting too. His film has a cool feel of anarchy. Many scenes seem improvised. It’s all so natural. But at the same time, the visual style is original, and the loungy music is great. This is the exciting Godard of his debuts, when he was awestruck to can finally make some cinema of his own, in a way even today’s audiences are not quite ready for. The cast is very good. Jean Seberg is cute and very likable as the girlfriend, and Jean-Paul Belmondo is terrific in the lead. He’s a rebel yet a nice guy, a criminal yet a romantic. His performance in this flick is legendary. For all these reasons, I really enjoyed “A Bout de Souffle”. It’s as innovative as it is entertaining. It’s clever, hilarious, amazing… You just can’t miss this!

Retrospective — 1998

Foreword

I’ve always liked movies, for as long as I can remember. Of course, as a kid, I was mostly into Marty McFly, Indiana Jones and John McClane, but soon adolescence broadened my horizons and I got interested in darker silver screen figures such as Travis Bickle, Tony Montana and Mr. Blonde. I became an avid moviegoer as well as a video store staple, and I’ve been taking in movie after movie ever since.

The first seeds of my becoming a film critic were planted in the first days of 1996, when I alternated between watching a “Planet of the” Apes marathon on TV and going through a freshly bought copy of the 1996 Blockbuster Video Guide. That’s when it sort of dawned on me that I had seen so many movies that I was losing track. Hence, I went back to the ‘a’ page with a pen and paper and went through the whole book writing down the titles of movies I had seen. Days later, when I was done, I sat down in front of my computer and typed up the whole list. Next up, I decided to give ratings to the movies, using the 5 star system used in the Blockbuster guide, which looking back was a bad idea since most everyone actually uses 4 stars but what the hell. The next step seemed obvious: I started to write short comments on the films, not proper reviews yet, but in spirit I was becoming a critic.

Gradually, I started writing more, and more, and more, until it got to the point where what I was doing looked, sounded and felt like reviewing movies… except that I had no audience! But it didn’t matter, I loved movies, I loved writing, so writing about movies was a logical thing to do. A year or so passed, I was now in film school, and it had become a habit after watching a movie to sit down and spend a few hours putting my impressions on paper. I had scrapped the original collection of 20 words reviews but, still, it was quite a nice little archive I was gathering, with something like 150 reviews.

Somewhere around June 1998, my best friend Mathieu finished a course in HTML and website design and was aching to put together something on the internet, yet didn’t know what. That’s when we got the idea to combine my always increasing collection of reviews and his programming skills to co-create a website. Thus was born “Nemours @ the Movies”, with its clumsy original look, its clumsy original reviews and its clumsy original location with annoying Geocities pop-up ads.

July 2003 will mark the Fifth Anniversary of my online film critic career. To celebrate this little milestone of mine, I’m taking a look back at those five years of websites, movies and life in general.

The Website
Nemours @ the Movies (Nemours is a fake middle name I gave myself)
http://members.xoom.com/nemours (defunct)
Pretty lame design, few pictures, all reviews crammed into letter pages (the As, the Bs..), annoying pop-up ads… Hey, gotta start somewhere.

The Movies

We first went online on July 1st, 1998 with a front-page review of Armageddon (not a masterpiece but certainly better than Deep Impact). This was a pretty good year for blockbusters, as Blade, Ronin and Enemy of the State thrilled us while we laughed it up with Adam Sandler in The Wedding Singer and The Waterboy. There was also that “New Geek Cinema” sorta-trend, with such black humor-laced flicks as Very Bad Things and the T&A opus Wild Things, two GREAT Meg Ryan romantic comedies (City of Angels and You’ve Got Mail) and the overrated but occasionally brilliant Saving Private Ryan.

My Top Ten:

01. THE TRUMAN SHOW 95
02. THE THIN RED LINE 93
03. HAPPINESS 92
04. A SIMPLE PLAN 92
05. OUT OF SIGHT 92
06. BUFFALO ’66 91
07. LIFE IS BEAUTIFUL 90
08. SHAKESPEARE IN LOVE 90
09. THE BIG LEBOWSKI 93 (yeah, this should have been higher)
10. THERE’S SOMETHING ABOUT MARY 90

Would have been in the Top 5 if I’d seen it earlier: American History X

NEXT: 1999, still the best movie year in recent memory.

2002 May-October

(2 May) Savage Messiah (2002, Mario Azzopardi) 48
[ Another powerful, terrifying performance by Luc Picard as a sadistic and perverted guru. Too bad the overall film is rather pedestrian. ]

(3 May) Spider-Man (2002, Sam Raimi) [ review ] 85

(5 May) The Devil’s Advocate (1997, Taylor Hackford) 51
[ I’d call this a guilty pleasure. It’s crass, cheesy, and wrong in so many ways, but it’s fun to watch and Al Pacino is deliciously over the top. ]

(6 May) Le Peuple Migrateur (2002, Jacques Perrin) [ review ] 90

(7 May) Moving (2002, Jonathan Friedman) [ review ] 52

(10 May) Unfaithful (2002, Adrian Lyne) [ review ] 40

(10 May) L.A. Confidential (1997, Curtis Hanson) [ review ] 92

(11 May) Blue Velvet (1986, David Lynch) [ review ] 93

(12 May) City Lights (1930, Charlie Chaplin) 65
[ Most of this “timeless classic” didn’t make much of an impression on me, but I have to say, the ending is absolutely marvelous. ]

(14 May) Tribute (2001, Kris Curry and Rich Fox) 80
[ Reviewed for the Apollo Movie Guide ]

(16 May) Attack of the Clones (2002, George Lucas) [ review ] 61

(19 May) Which Way is Up? (1977, Michael Schultz) 10
[ Reviewed for the Apollo Movie Guide ]

(21 May) The Salton Sea (2002, D.J. Caruso) [ review ] 54

(23 May) Dead in the Water (2001, Gustavo Lipsztein) 35
[ Reviewed for the Apollo Movie Guide ]

(23 May) FUBAR (2002, Michael Dowse) [ review ] 86

(24 May) Insomnia (2002, Christopher Nolan) [ review ] 82

(27 May) Requiem for a Dream (2002, Darren Aronofsky) [ review ] 92

(27 May) Sparkle (1999, Jeff Beesley) 30
[ >Reviewed for the Apollo Movie Guide ]

(30 May) Lenny (1974, Bob Fosse) 82
[ Greatish biopic short on laughs but overflowing with style, sexiness and thought-provoking material. ]

(30 May) Hedwig and the Angry Inch (2001, John Cameron Mitchell) [ review ] 91

(30 May) An American in Paris (1951, Vincente Minnelli) 61
[ The story is paper thin and the romance doesn’t work, but the song and dance numbers are pretty great. ]

(31 May) Undercover Brother (2002, Malcolm D. Lee) [ review ] 4

(31 May) The Sum of All Fears (2002, Phil Alden Robinson) [ review ] 90

(10 Jun) Irréversible (2002, Gaspar Noé) [ review ] 90

(10 Jun) Astérix & Obélix: Mission Cléôpatre (2002, Alain Chabat) [ review ] 70

(14 Jun) In the Shadows (2001, Ric Roman Waugh) 65
[ Reviewed for the Apollo Movie Guide ]

(14 Jun) Windtalkers (2002, John Woo) [ review ] 38

(17 Jun) Vanilla Sky (2001, Cameron Crowe) [ review ] 93

(18 Jun) The Exorcist (1973, William Friedkin) 42
[ I’d never actually watched it, and I guess it’s been too ripped off, referenced, spoofed and talked about for me to experience it as it was meant to be. Sure, I found it gross but other than that? Blah. ]

(19 Jun) Austin Powers: International Man of Mystery (1997, Jay Roach) [ review ] 93

(20 Jun) Singin’ in the Rain (1952, Stanley Donen) [ review ] 100

(21 Jun) Minority Report (2002, Steven Spielberg) [ review ] 93

(25 Jun) Outta Time (2002, Lorena David) 40
[ Reviewed for the Apollo Movie Guide ]

(25 Jun) The Dangerous Lives of Altar Boys (2002, Peter Care) [ review ] 76

(28 Jun) Mr. Deeds (2002, Steven Brill) [ review ] 41

(29 Jun) American Beauty (1999, Sam Mendes) [ review ] 93

(4 Jul) Change of Habit (1969, William A. Graham) [ review ] 65

(4 Jul) Minority Report (2002, Steven Spielberg) [ review ] 93

(8 Jul) Being John Malkhovich (1999, Spike Jonze) [ review ] 93

(9 Jul) K-9: P.I. (2002, Richard J. Lewis) [ review ] 40

(9 Jul) Moulin Rouge! (2001, Baz Luhrmann) [ review ] 98

(12 Jul) Road to Perdition (2002, Sam Mendes) [ review ] 49

(12 Jul) Reign of Fire (2002, Rob Bowman) [ review ] 39

(13 Jul) Dragonfly (2002, Tom Shadyac) [ review ] 6

(17 Jul) Eight Legged Freaks (2002, Ellory Elkayem) [ review ] 23

(22 Jul) Goldmember (2002, Jay Roach) [ review ] 85

(26 Jul) Goldmember (2002, Jay Roach) [ review ] 85

(26 Jul) UHF (1989, Jay Levey) [ review ] 86

(27 Jul) The Desert Rats (1953, Robert Wise) 55
[ Reviewed for the Apollo Movie Guide ]

(1 Aug) Unbreakable (2000, M. Night Shyamalan) [ review ] 92

(2 Aug) Signs (2002, M. Night Shyamalan) [ review ] 94

(3 Aug) Full Frontal (2002, Steven Soderbergh) [ review ] 28

(5 Aug) Cat People (1982, Paul Schrader) [ review ] 32

(6 Aug) The Fellowship of the Ring (2001, Peter Jackson) [ review ] 93

(9 Aug) xXx (2002, Rob Cohen) [ review ] 34

(10 Aug) Strictly Sinatra (2001, Peter Capaldi) [ review ] 53

(10 Aug) To Kill a Mockingbird (1962, Robert Mulligan) 96
[ One of the greats, it conveys an essential message with grace and intelligence. Gregory Peck is the father everyone wishes he had. ]

(11 Aug) Spider-Man (2002, Sam Raimi) [ review ] 85

(14 Aug) Blue Crush (2002, John Stockwell) [ review ] 23

(20 Aug) Fun and Fancy Free (1947, Jack Kinney) 22
[ Disney Masterpiece my ass, this is a botched, dated mess. “Mickey and the Beanstalk” is kinda fun, but the “Bongo” story is plain retarded. Great way to show kids how to express love through spousal abuse! ]

(20 Aug) The Lord of the Rings (1978, Ralph Bakshi) 38
[ At first, I found it not as bad as it’s been accused of being. It’s stylish enough, and the material is so strong that some of the missteps are forgivable. But about halfway through it loses all focus and starts skimming through events almost randomly and then it just stops two thirds into the story! I’ll stick to Peter Jackson’s films etc. ]

(23 Aug) Serving Sara (2002, Reginald Hudlin) [ review ] 35

(23 Aug) The Good Girl (2002, Miguel Arteta) [ review ] 40

(24 Aug) Heaven (2002, Tom Tykwer) [ review ] 90

(28 Aug) The Scorpion King (2002, Chuck Russell) [ review ] 57

(29 Aug) Big Fat Liar (2002, Shawn Levy) [ review ] 36

(29 Aug) The Talented Mr. Ripley (1999, Anthony Minghella) [ review ] 92

(30 Aug) Igby Goes Down (2002, Burr Steers) [ review ] 72

(1 Sept) Minority Report (2002, Steven Spielberg) [ review ] 93

(2 Sept) Jurassic Park III (2001, Joe Johnston) 15
[ Easily one of the worst Hollywood blockbusters I’ve ever seen, the production values (outside of the not even that awe-inspiring anymore dinos) are on a TV level, the acting is obnoxiously bad and the set pieces are more ridiculous than exciting. ]

(2 Sept) America’s Sweethearts (2001, Joe Roth) 26
[ 2 minutes’ worth of biting satire drowned into an ill-conceived, wildly uninvolving romantic comedy. John Cusack and Julia Roberts are on auto-pilot, and Catherine Zeta-Jones and especially Hank Azaria and his pseudo-Spanish accent are insufferable.]

(3 Sept) 8 Femmes (2002, François Ozon) [ review ] 86

(3 Sept) Chasing Amy (1997, Kevin Smith) [ review ] 87

(6 Sept) Le Pacte des Loups (2001, Christophe Gans) [ review ] 90

(6 Sept) Monsoon Wedding (2002, Mira Nair) [ review ] 86

(7 Sept) Blade II (2002, Guillermo Del Toro) [ review ] 44

(8 Sept) Van Wilder (2002, Walt Becker) 8
[ The absolute bottom of the barrel of misogynist, juvenile and disgusting comedies. Ryan Reynolds is pretty cool, but even Miles farking Davis wouldn’t be cool enough to salvage this pile of dog semen. ]

(9 Sept) Magnolia (1999, Paul Thomas Anderson) [ review ] 100

(13 Sept) Stealing Harvard (2002, Bruce McCullough) [ review ] 37

(13 Sept) One Hour Photo (2002, Mark Romanek) [ review ] 80

(15 Sept) The Count of Monte Cristo (2002, Kevin Reynolds) 36
[ This adaptation of the classic Alexandre Dumas revenge drama is nicely set up, effectively showing Jim Caviezel’s Edmond going through extreme pain and despair. But then the film rushes through his retribution to his enemies and ties everything up into a happy little Hollywood resolution. Too bad. ]

(15 Sept) Game of Death (1978, Sammo Hung) 44
[ Cheapie, let’s-pretend-Bruce-Lee-didn’t-die-halfway-into-the-shoot kung fu revenge flick. Watch for countless shots of Lee’s unconvincing double seen from the back, in shadows or in disguise. Still, the climactic succession of fights of the genuine Bruce Lee in an iconic yellow with black stripes jumpsuit (which Uma Thurman will reprise in next year’s “Kill Bill”!) is pretty damn cool, especially when Lee faces 7 foot tall Kareem Abdul Jabbar! ]

(16 Sept) Everyone Says I Love You (1996, Woody Allen) 62
[ An homage to 1950s MGM musicals, but with actors who can’t sing and can’t dance! Instead, we’re rewarded with a sprinkle of Woody Allen’s trademark neurotic wit, and the film has a certain old fashioned charm. ]

(16 Sept) The Lost World: Jurassic Park (1997, Steven Spielberg) 60
[ Part of the Directors Series ]

(17 Sept) Signs (2002, M. Night Shyamalan) [ review ] 94

(19 Sept) King Kong (1933, Ernest B. Shoedsack & Merian C. Cooper) 65
[ Foolish white film crew invades primitive black tribe’s island to shoot legendary giant monkey, but serves as dinosaur lunch instead. Meanwhile, Kong gets hot for Fay Wray (who can blame him?) and chases her all the way to New York, and to the beast’s doom. Kick ass, brutal stop-motion action more or less makes up for deadly dull human drama, but I still wouldn’t call this a masterpiece. ]

(20 Sept) Network (1976, Sidney Lumet) 63
[ Peter Finch’s posthumously Oscar-winning turn as a news anchorman turned mad prophet is riveting and the satire of the television world is incisive, but the film is loose, all over the place and uneven. Could have used a good rewrite. ]

(22 Sept) Jackie Brown (1997, Quentin Tarantino) [ review ] 94

(23 Sept) True Romance (1993, Tony Scott) [ review ] 92

(23 Sept) Manhunter (1986, Michael Mann) 26
[ What a stinker! Michael Mann directs this first adaptation of “Red Dragon” like a really bad TV movie devoid of any tension or depth, and Brian Cox’s take on Hannibal Lecter is limp and forgettable at best. ]

(27 Sept) The Tuxedo (2002, Kevin Donovan) [ review ] 17

(28 Sept) Original Sin (2001, Michael Cristofer) 47
[ Gorgeous Cuba, gorgeous Angelina Jolie, gorgeous music… This “cheap melodrama” is hardly subtle or much believable, but it does work as a guilty pleasure. ]

(28 Sept) Gorgeous (1999, Vincent Kok) 53
[ A message in a bottle? A young girl looking for true love? Business meetings? A gay sidekick? Dolphins? That’s a Jackie Chan film? Sort of. There are a few (4) pretty damn cool fight scenes, but most of the running time feels like a Chinese take on Meg Ryan flicks- which is enjoyable, even though I’d never expected Chan to play a straight romantic lead! ]

(28 Sept) Matroni et Moi (1999, Jean-Philippe Duval) 74
[ Scorsese meets Woody Allen in this hilarious, stylish and thought-provoking French Canadian comedy which pits a mobster (played by a delightfully cartoonish Pierre Lebeau) against a dweebish intellectual (Alexis Martin, who also wrote the film) in a frantic discussion of ethics and principles. ]

(29 Sept) Donnie Darko (2001, Richard Kelly) 68
[ Teen angst, hallucinations and time travel cohabit in this bizarre high school drama set in the late 80s. I’m not sure what he’s trying to say, but writer-director Richard Kelly’s vision is intriguing (whatever it is). ]

(2 Oct) The Razor’s Edge
[ Reviewed for the Apollo Movie Guide ]

(4 Oct) Red Dragon (2002, Brett Ratner) [ review ] 36

(4 Oct) Moonlight Mile (2002, Brad Silberling) [ review ] 90

(5 Oct) Tanguy (2001, Étienne Chatiliez) 33
[ This French comedy has an amusing premise (a 28 year old man who still lives at home to the despair of his parents), but after an inspired first half hour it grows tired and repetitive. ]

(7 Oct) Witchbabe
[ Reviewed for the Apollo Movie Guide ]

(10 Oct) Carmen: A Hip Hopera
[ Reviewed for the Apollo Movie Guide ]

(11 Oct) The Rules of Attraction (2002, Roger Avary) [ review ] 63

(11 Oct) Bollywood/Hollywood (2002, Deepa Mehta) 68
[ reviewed in my FCMM coverage ]

(11 Oct) Gambling, Gods and LSD (2002, Peter Mettler) 48
[ reviewed in my FCMM coverage ]

(12 Oct) Good Rockin’ Tonight (2002, Bruce Sinofsky) 44
[ reviewed in my FCMM coverage ]

(12 Oct) The Trials of Henry Kissinger (2002, Eugene Jarecki) 86
[ reviewed in my FCMM coverage ]

(12 Oct) The Ring (2002, Gore Verbinski) [ review ] 38

(13 Oct) Tan de Repente (2002, Diego Lerman) 89
[ reviewed in my FCMM coverage ]

(14 Oct) Jimmy Scott: If You Only Knew (2002, Matthew Buzzell) 40
[ reviewed in my FCMM coverage ]

(14 Oct) Un Homme sans l’Occident (2002, Raymond Depardon) 43
[ reviewed in my FCMM coverage ]

(15 Oct) Waiting for Happiness (2002, Abderrahmane Sissako) 68
[ reviewed in my FCMM coverage ]

(15 Oct) Isabelle Huppert : une vie pour jouer (2002, Serge Toubiana) 62
[ reviewed in my FCMM coverage ]

(15 Oct) This is not a love song (2002, Billie Eltringham) 37
[ reviewed in my FCMM coverage ]

(16 Oct) Ken Park (2002, Larry Clark, Ed Lachman) 0
[ reviewed in my FCMM coverage ]

(16 Oct) The Sea (2002, Baltasar Kormakur) 66
[ reviewed in my FCMM coverage ]

(17 Oct) Punch-Drunk Love (2002, P.T. Anderson) [ review ] 94

(18 Oct) Punch-Drunk Love (2002, P.T. Anderson) [ review ] 94

(18 Oct) Bowling for Columbine (2002, Michael Moore) [ review ] 79

(18 Oct) Far From Heaven (2002, Todd Haynes) 79
[ reviewed in my FCMM coverage ]

(19 Oct) Standing in the Shadows of Motown (2002, Paul Justman) [ review ] 90

(19 Oct) Bowling for Columbine (2002, Michael Moore) [ review ] 79

(19 Oct) 11’09″01 (2002, various filmmakers) 60
[ reviewed in my FCMM coverage ]

(20 Oct) Standing in the Shadows of Motown (2002, Paul Justman) [ review ] 90

(23 Oct) Chelsea Walls 35
[ Reviewed for the Apollo Movie Guide ]

(23 Oct) The Truth About Charlie (2002, Jonathan Demme) [ review ] 5

(25 Oct) Jackass: the Movie (2002, Jeff Tremaine) [ review ] 51

(25 Oct) Secretary (2002, Steven Shainberg) [ review ] 42

(29 Oct) A Hard Day’s Night (2002, Richard Lester) [ review ] 75

(30 Oct) No Such Thing (2001, Hal Hartley) 55
[ Reviewed for the Apollo Movie Guide ]

(31 Oct) Le Nèg’ (2002, Robert Morin) 74
[ Like most of his films, Robert Morin’s latest is both realistic and over the top, powerful and uneven, stylish and crude. It revolves around two SQ cops investigating a rocky night that left an old woman dead, a young black man in a coma and a plaster “lawn nigger” smashed. Each of the witnesses tells a different story, “Rashomon”-style, but what ultimately comes out is a tale of real-life horrors: racism, alcoholism, despair on welfare and wild bursts of violence. Not everything works in “Le Nèg’”, but the nifty use of fantasy sequences in which the characters are seen as little plastic figures and the riveting performances by the actors playing the drunken rednecks make it well worth seeing. ]